Shot schedule feedback
Clearly illustrates each day of shooting for the production of our main task.
States when and where any resources are used during the filming of our main task.
It allows us to stay on task and informs us of what filming needs to be done that day so we keep on track to the shot schedule.
Gives a rough estimate when the filming of our main task will be completed.
It shows that we are organised and thoroughly thought through what we are going to do.
We’ve clearly thought about the filming days on the shot schedule such as the villains wearing the suits along with the main character James Fong so we do not have to continuously wear our costumes throughout the filming even though we may not even be filmed that day.
Planned days for each of the characters to do there filming e.g Monday-Villains, Tuesday-James Fong, Wednesday-Em (these are not the actual days just a example).
If we do not complete the filming planned on the shot schedule we should add an extra day to complete the filming as if we carry on with the previous filming to another day on the schedule it will much up our days so we do not get a knock on affect.
We will make sure that we stick to the days plan on the shot schedule and do not over run the plan or go off task and film a completely different scene.
The shot schedule determines the budget of our film making as it shows what we will need for the filming such as costumes and props.
Will allow our filming to be run efficiently and smoothly and as we are filming in such a short time we must make sure we use every minute advantageously.
Some of the film sets are out of our control such as the outdoors as rain may prevent use from filming, so therefore we may have to change the location on the shot schedule or we will just reschedule the day of filming.
Each day has been selected so the whole team will be there and no one will be missing out as by doing this the whole group will know what going on.
Written\Published by Harry Young
Wednesday, 24 December 2014
Friday, 12 December 2014
Friday, 5 December 2014
MAIN TASK - SHOT LIST - HARRY YOUNG
| Shot No. | Scene No. | INT/EXT | Location | Shot description | Support | |
| 1 | 1 | N/A | Nowhere | Production Title | Tripod | |
| 2 | 1 | EXT | Gravel (anywhere) | CLOSE UP ON WALKING FEET, FANG BECOMES SLOWLY FOCUSED, CLOSE UP OF FEET WALKING ON GRAVEL | Tripod | |
| 3 | 1 | INT | Studio |
CHANGE OF ANGLE OF FONGS PHYSIQUE, CAMERA FOCUSED ON A SILHOUTTE OF FONGS BODY
| Tripod | |
| 4 | 2 | INT | Room |
FIRST SHOT OF VILLAIN 1 & 2 (180 degree shot), DARK ROOM, SPOTLIGHT ABOVE
| Tripod | |
| 5 | 3 | EXT | Gate |
FONG APPEARS AT GATE, CAMERA PANS UP HIS BODY
| Tripod | |
| 6 | 3 | INT | Briefing room |
FONGS BRIEFING, SCREEN TOP LEFT WITH 'EM' BRIEFING FONG IN BACKGROUND
| Tripod | |
| 7 | 3 | EXT | Gate |
"FONG RECIEVED- FONG OUT, EM SCREEN GONE.
| Tripod | |
| 8 | 3 | EXT | Gate |
MUSIC BEGINS (FASTER IN TEMPO) TAPPING IN CODE ON GATE, EXTREME CLOSE UP
| Tripod | |
| 9 | 4 | EXT | Hallways |
FONG MOVING SWIFTLY THROUGH SCHOOL, STOPPING AT EACH CORNER- CHECKING FOR ENEMIES, MEDIUM CLOSE UPS
| Tripod | |
| 10 | 4 | INT | Classroom |
FONG KICKS THOUGH DOOR OF VILLAINS HIDE OUT, MATCH-ON-ACTION OF KICK
| Tripod | |
| 11 | 4 | INT | Classroom |
APPEARS IN GUN BARRELL, MEDIUM LONG SHOT
| Tripod | |
| 12 | 4 | INT | Classroom |
GUN SOUNDS, BLOODY EFFECT STUTTERING OVER A SERIES OF BARRELL SHOTS
| Tripod | |
| 13 | 4 | INT | Studio |
FILM TITLE APPEARS IN BOLD, WHITE LETTERING BESIDE FONG STANDING IN GUN BARRELL
| Tripod | |
Wednesday, 3 December 2014
MAIN TASK- CALL SHEET
| ACTING | CINEMATOGRAPHY | SOUND PROVIDING | DIRECTING | COSTUME DESIGN | |
| SCOTT | TEMPORARILY, VOICING/ACTING 'VILLAIN 1' | YES | YES | ||
MASON | TEMPORARILY, VOICING/ACTING 'VILLAIN 2' | YES | YES | YES | |
| HARRY | TEMPORARILY, VOICING 'EM' | YES | |||
| YUXIN | ALL TIMES, REMAINS ON SET THROUGHOUT | YES | YES |
THIS CALL CHEET WILL BE USED TO DIRECT/ ORGANISE EACH INDIVIDUAL ON SET DURING THE FILMING OF OUR MAIN TASK
WRITTEN/UPLOADED BY SCOTT COLLER
WRITTEN/UPLOADED BY SCOTT COLLER
Monday, 1 December 2014
MAIN TASK- MUSIC - HARRY YOUNG
Music
Throughout our production, we will be using sounds and music to create an atmosphere we want. To stick true to the James Bond theme, we will use their soundtrack and we may conduct our own using instruments of our choice. We will also be using Beethoven to introduce the villains as I feel it would suit perfectly and certain songs will make them seem sinister and create a tense atmosphere. An instrumental by Highway Blues will be used in our second production/distribution logo as we used it in our preliminary task and we decided as a group that we would use it again as we felt it would be suitable for the logo. I will make sure that when editing, the soundtrack will match up with the actions that occur, meaning that loud notes occur when something important happens or so that it goes along with the actors movement.
Written\Published by Harry Young
Throughout our production, we will be using sounds and music to create an atmosphere we want. To stick true to the James Bond theme, we will use their soundtrack and we may conduct our own using instruments of our choice. We will also be using Beethoven to introduce the villains as I feel it would suit perfectly and certain songs will make them seem sinister and create a tense atmosphere. An instrumental by Highway Blues will be used in our second production/distribution logo as we used it in our preliminary task and we decided as a group that we would use it again as we felt it would be suitable for the logo. I will make sure that when editing, the soundtrack will match up with the actions that occur, meaning that loud notes occur when something important happens or so that it goes along with the actors movement.
Written\Published by Harry Young
MAIN TASK - RISK ASSESSMENT - HARRY YOUNG
Risk Assessment - Main Task
- When filming outside, we will have to make sure the weather is clear so that equipment isn't damaged and that injuries acquired from scenery do not occur.
- We will also make sure that if we film near a road that the threat from cars is neutralized by checking the roads when we film.
- We will make sure that conflict with other humans doesn't occur for our personal safety.
- We will make sure the hazard of wires protruding from the camera will be covered by some sort of sheet in the possible case of someone tripping.
- We will make sure that no members of the crew will smoke on set in the case of FIRE. We shall make sure that all ciggeys are put out and all burns are consumed fully (to the filter).
- To prevent hazards when using a tripod, we will make sure it is placed on even ground to prevent toppling and breakage. We will also make sure they're packed away properly so nobody trips.
- Due to us using a TOY gun, we will make sure it isn't loaded with any sort of ammunition (e.g BBs, Hollow points, Potatoes) for the obvious reason being to avoid injury of the crew and general public.
- We will make sure that if we are filming in an old location (e.g warehouse, factory) we will scan the area for structural weakness so that we aren't crushed by ceilings or we don't fall through floors.
Written\Published by Harry Young
MAIN TASK- SCRIPT - SCOTT COLLER AND HARRY YOUNG
THIS SCRIPT WILL BE USED DURING THE FILMING PROCESS OF OUR MAIN TASK TO ORGANISE EACH ACTOR.
0:00-0:20= MUSIC BEGINS QUIETLY, SHADES OF LIGHT PASS OVER UNFOCUSED LENS, PRODUCTION COMPANY TITLE
0:20-0:30= CLOSE UP ON WALKING FEET, FANG BECOMES SLOWLY FOCUSED, CLOSE UP OF FEET WALKING ON GRAVEL, MUSIC REMAINS SOFT
0:30-0.40= CHANGE OF ANGLE OF FONGS PHYSIQUE, CAMERA FOCUSED ON A SILHOUTTE OF FONGS BODY- TITLES APPEAR IN BOLD, WHITE LETTERING
0:30-1:00 "RIGHT FONG, THE TARGETS HAVE INFILTRATED THE COMPOUND. THE INFOMATION IN THE SAFE IS VITAL. GET IT BACK AND STOP THEM OR YOU CAN FORGET YOUR VACATION THIS YEAR"
0:40-0:55= FIRST SHOT OF VILLAIN 1 & 2, DARK ROOM, SPOTLIGHT ABOVE, OPEN BRIEFCASE ON TABLE, CONTENTS REMAIN UNSEEN
0.55-1:15= FONG APPEARS AT GATE, CAMERA PANS UP HIS BODY, SLOWLY, MUSIC INTENSIFIES
1:15-1:35= FONGS BRIEFING- "FONG- NO TIME TO BEAT AROUND THE BUSH ON THIS ONE LOVELY- IN AND OUT YOU HEAR ME- IN AND OUT"
1:35-1:40- "FONG RECIEVED- FONG OUT"
1:40-1:45= MUSIC BEGINS (FASTER IN TEMPO)
1:45-1:50= FONG MOVING SWIFTLY THROUGH SCHOOL, STOPPING AT EACH CORNER- CHECKING FOR ENEMIES
1:50-1-52= FONG KICKS THOUGH DOOR OF VILLAINS HIDE OUT
1:52-1:54= REMOVES GLASSES, MUSIC CLIMAXES
1:54- 1:57= APPEARS IN GUN BARRELL, GUN SOUNDS, BLOODY EFFECT STUTTERING OVER A SERIES OF BARRELL SHOTS
1:57-2:00- FILM TITLE APPEARS IN BOLD, WHITE LETTERING BESIDE FONG STANDING IN GUN BARRELL
WRITTEN/UPLOADED BY SCOTT COLLER & HARRY YOUNG
WRITTEN/UPLOADED BY SCOTT COLLER & HARRY YOUNG
Friday, 28 November 2014
MAIN TASK - SFX - HARRY YOUNG
Main Task - SFX
- We will use gun sounds downloaded from 'www.sweetsoundeffects.com' for when Yuxin and the assassins fire their guns (TOY). We will also use gun sound effects for when the gun barrel scene at the end of the film
-We will use animal sounds (lion) for the distributor scene, inspired by James Bond distributor MGM. This gives the film a more official feel as we are following the norm of the distributor yet adding our own humor.
.- We will use sound effects such as laser sounds for when the villains do their handshake to create humor for the viewer.
.- We will use sound effects such as laser sounds for when the villains do their handshake to create humor for the viewer.
Written\Published by Harry Young
Wednesday, 26 November 2014
MAIN TASK- BUDGET - HARRY YOUNG
In our production, we are going to be using:
-A £400+ SLR camera
-3 suits, varying from £50-200
-Tripods, valued at £20 each.
-Plastic toy gun, £2.50
-PC and Monitor, £600+
-Sony Vegas editing software, £60/year
-Microphones, £20 each
Automatic gate, £1000+
Written/published by Harry Young
MAIN TASK- ACTION PLANNING- PROPS/ COSTUME/MAKEUP - MASON O'NEIL
Costumes/Props/Makeup
Costumes
Harry
During the making of our task Harry will be playing the role of ‘Em’ throughout the 2 minute opening. The costume that Harry will be wearing will be a blouse that we will borrow from the drama department; the use of the blouse will clearly establish that Harry is going to be playing the role of a female.
Scott
For the main task Scot will be playing the role of a villain and the costume that we will require for this role will be a Black 2 piece suit with a red tie. The red tie is used to indicate who the two villains are in the opening and we chose the colour red as it will stand out with the black suit.
Mason
Mason will also be playing the role of a villain in the making of our main task. Mason will also be wearing the Black suit with the red tie to show that he is playing the role of a villain along with Scott. We chose to use the suit and red tie as we both have black suits and that we look smart when playing our roles.
Yuxin
Yuxin is going to be the main character throughout the opening and he is going to be playing the role of ‘James Fong’. The main character has to be clearly established in the opening so we have decided to make the main character wear a grey 2 piece suit with a bow tie. We decided to choose the grey suit as it is a different colour and he will stand out from the others in the opening so he will be easily identified.
Props
Toy gun
We will be using a toy gun with the character James Fong as he is an agent and it is stereotypical for an agent to have a gun within films. We are using a toy gun so we avoid any dangers associated with having a real one.
Tooth Pick
Glasses
Ear piece (Blue tooth device)
For the role of Em harry will be wearing a blue tooth device in his ear to indicate he is wearing a ear piece, we choose to use the blue tooth device as it looks like an ear piece and we don’t have access to money to be able to buy an actual ear piece
Brief case/Suit Case
The two villains with the main task will be carrying either a brief case or a suit case to resemble the smart look along with the suit. We chose to use tis prop to show that they look like they belong in the working class and that they are important as people high up in the work place and people with important roles carry round with them a brief case.
MAIN TASK- EQUIPMENT LIST - SCOTT COLLER
LIST OF EQUIPMENT NEEDED TO PRODUCE OUR 2 MINUTE OPENING SEQUENCE FOR OUR MAIN TASK PRODUCTION.
CAMERA (CINEMATOGRAPHY)- NIKON 3200 DSLR- FISHEYE LENS/18-55MM LENS
ADDITIONAL LIGHTING- SOFTBOXES FOUND IN STUDIO
BACKDROP- WHITE/BLACK SCREEN FOUND IN STUDIO
TRAM FOR CAMERA MOVEMENT- SKATEBOARD WITH TRIPOD ATTACHED
TRIPOD- FOUND IN MEDIA CLASSROOM
MICROPHONE EQUIPMENT- NEEDED TO RECORD UKULELE SOUNDTRACK
WRITTEN/UPLOADED BY SCOTT COLLER
WRITTEN/UPLOADED BY SCOTT COLLER
MAIN TASK - GROUP ROLES - HARRY YOUNG
Harry Young
- Editor
-Producer
-Co-Writer
- Sound editor
-Composer
-Sound designer
-Co-Cinematographer
-Storyboard artist
MAIN TASK- OPENING ANALYSIS 'DEFINTELY MAYBE'- MASON O'NEIL
Titles
· Production company logo (20 seconds)
· Working title logo-production company (20-32 seconds)
· Dark screen (32-35 seconds) with writing
· ‘A working title production’ (59 seconds)- 2 seconds
· ‘An Adam Brooks film (1:41) – Either producer/director – Slides across screen
· “Definitely, maybe” – title (1:47) – six seconds long
· “Ryan Reynolds” (1:54) – Main actor – 3 seconds
· Actor 2 (2:00) – 3 seconds
On Set
· Character name appears (4 seconds)
· Location (New York)
· Business situations
· Shot of character (42 second)- looks puzzled-working in an office- smart wear (plain)- Tall office buildings- Office Chair
· Voice over (around 5 seconds long)-Divorce papers
· Colleague looks formal
· Mid afternoon
· Main characters uses headphones- first doesn’t like the rapping music so changes to some chilled up beat music
· Yellow cabs
· Ionic building in the background
· Picture of 51st street sign
Sounds
· Sound Goes with universal logo
· Sound bridge=logo to the next scene
· Hear the character’s name
· Sound use to emphasise thing
· Pressuring on his pen- sign of the character being nervous
· Opening of the envelope
· Foley sound
· Narrative device
· Litter sounds “hmm”
· Rap song
· Upbeat song
Camera Work
· Close up of the envelope-3 seconds
· Cuts to a shot of the man- medium close up 4-5 seconds
· Can see location, what he is wearing
· Close up of envelope again
· Camera tilts up
· Close up on the main (48-54 seconds) Is an action shot as well
· Close up/point on view of the divorce papers
· Camera pushed in on the appears – (4 seconds long) after goes to a cut
· Medium shot back to the man in the office – reaction shot – 1 second long – goes to a cut
· Medium close up of a woman (5 seconds)
· Close up of man (2 seconds)
· Cuts to a master shot of the man at his desk (8 seconds)
· Wide shot of him in his office (3 seconds)
· Cuts to an exterior shot
· Little left pan to a tracking shot (4 seconds)
· Over the shoulder shot of him walking
· Arc shot – from one ear to the other ear ( 4 seconds) to a cut
· Reverse to angle of the shot as we are now in front – close up
· Close up of hand turning on the music
· Shot reverse shot/ action shot on the music player and back
· Reverse shot again
· Split screen
· Over the shoulder shot
· Tracking shot
· Split screen pushed screen away
· Close up of the characters head
· Tracking shot of crossing the road
· Foot shot
· 20 seconds of split screen to the end (1:40-2:00)
MAIN TASK- 9 FRAME ANALYSIS- MASON O'NEIL
1) From the 1st screen shot of the opening of the film Nacho Libre we have “Nickelodeon Movies” appear upon the screen. This tells us that Nickelodeon Movies made the film, and this Company is an American motion picture production arm of the children's channel Nickelodeon.
2) Paramount Pictures is a film studio, television production company and motion picture distributor, consistently ranked as one of the "Big Six" film studios of Hollywood; this shows us that “Paramount Pictures” are involved in the film. The Paramount picture production shown on the shot is in casual fonting.
3) From image 3 the picture on the piece of paper could give the viewers an indication to what the film is going to be about or what it is going to involve, such as the drawing of the wrestler of superhero on the piece of paper. Also from that image we find out that the film involves Black & White productions.
4) Screen shot 4 shows us who the main character is called and it also tells us who is going to be playing the main character. The image tells us that the main character is called ‘Nacho’ and this role is going to be played by Jack Black.
5) This image shows the film title, ‘Nacho Libre’, the way the title has been presented can be displayed as an insight to the character as the ‘Nacho’ on the back of the cape has been made, this could also refer back the illustration on the piece of the paper earlier on within the 2 minute opening.
6) Image 6 tells us that the character shown on the image (Nacho) is a religious person as he is shown lying by a cross in which looks like to be a grave of some sort. By him laying down on what looks like to be a grave shows that he is missing someone dearly.
7) Image 7 tells us who the editor of the film is (Billy Weber) also in the image Nacho is getting whipped by 2 nuns with towels which indicates that he has done something wrong due to him being mischievous which could lead further in the film. The setting within the picture looks like it was set within the old times due to the stone buildings surrounding the characters.
8) During image 8 it shows Nacho being punished as he is staining down with his mask on surrounded by 2 characters wearing some sort of poncho/gown, which looks like something you would find many years ago and also the bare walls, jugs and wooden baskets.
9) The last image shows what Nacho looks like without his mask on and it forms an opinion of the character by his appearance towards his aspirations of become a wrestler, as we see the image of a young overweight boy in the images. Also during the image it tells us who the production designer, ‘Gideon Ponte’.
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