MAIN TASK- SHOT SCHEDULE- FEEDBACK - HARRY YOUNG

Shot schedule feedback

Clearly illustrates each day of shooting for the production of our main task.

States when and where any resources are used during the filming of our main task.

It allows us to stay on task and informs us of what filming needs to be done that day so we keep on track to the shot schedule.
Gives a rough estimate when the filming of our main task will be completed.

It shows that we are organised and thoroughly thought through what we are going to do.

We’ve clearly thought about the filming days on the shot schedule such as the villains wearing the suits along with the main character James Fong so we do not have to continuously wear our costumes throughout the filming even though we may not even be filmed that day.

Planned days for each of the characters to do there filming e.g Monday-Villains, Tuesday-James Fong, Wednesday-Em (these are not the actual days just a example).

If we do not complete the filming planned on the shot schedule we should add an extra day to complete the filming as if we carry on with the previous filming to another day on the schedule it will much up our days so we do not get a knock on affect.

We will make sure that we stick to the days plan on the shot schedule and do not over run the plan or go off task and film a completely different scene.

The shot schedule determines the budget of our film making as it shows what we will need for the filming such as costumes and props.

Will allow our filming to be run efficiently and smoothly and as we are filming in such a short time we must make sure we use every minute advantageously.

Some of the film sets are out of our control such as the outdoors as rain may prevent use from filming, so therefore we may have to change the location on the shot schedule or we will just reschedule the day of filming.

Each day has been selected so the whole team will be there and no one will be missing out as by doing this the whole group will know what going on.

Written\Published by Harry Young

MAIN TASK- SPREADSHEET - SCOTT COLLER

WRITTEN/UPLOADED BY SCOTT COLLER

MAIN TASK - SHOT LIST - HARRY YOUNG

Shot No.	Scene No.	INT/EXT	Location	Shot description	Support
1	1	N/A	Nowhere	Production Title	Tripod
2	1	EXT	Gravel (anywhere)	CLOSE UP ON WALKING FEET, FANG BECOMES SLOWLY FOCUSED, CLOSE UP OF FEET WALKING ON GRAVEL	Tripod
3	1	INT	Studio	CHANGE OF ANGLE OF FONGS PHYSIQUE, CAMERA FOCUSED ON A SILHOUTTE OF FONGS BODY	Tripod
4	2	INT	Room	FIRST SHOT OF VILLAIN 1 & 2 (180 degree shot), DARK ROOM, SPOTLIGHT ABOVE	Tripod
5	3	EXT	Gate	FONG APPEARS AT GATE, CAMERA PANS UP HIS BODY	Tripod
6	3	INT	Briefing room	FONGS BRIEFING, SCREEN TOP LEFT WITH 'EM' BRIEFING FONG IN BACKGROUND	Tripod
7	3	EXT	Gate	"FONG RECIEVED- FONG OUT, EM SCREEN GONE.	Tripod
8	3	EXT	Gate	MUSIC BEGINS (FASTER IN TEMPO) TAPPING IN CODE ON GATE, EXTREME CLOSE UP	Tripod
9	4	EXT	Hallways	FONG MOVING SWIFTLY THROUGH SCHOOL, STOPPING AT EACH CORNER- CHECKING FOR ENEMIES, MEDIUM CLOSE UPS	Tripod
10	4	INT	Classroom	FONG KICKS THOUGH DOOR OF VILLAINS HIDE OUT, MATCH-ON-ACTION OF KICK	Tripod
11	4	INT	Classroom	APPEARS IN GUN BARRELL, MEDIUM LONG SHOT	Tripod
12	4	INT	Classroom	GUN SOUNDS, BLOODY EFFECT STUTTERING OVER A SERIES OF BARRELL SHOTS	Tripod
13	4	INT	Studio	FILM TITLE APPEARS IN BOLD, WHITE LETTERING BESIDE FONG STANDING IN GUN BARRELL	Tripod

                                                 WRITTEN/PUBLISHED BY HARRY YOUNG

MAIN TASK- CALL SHEET

	ACTING	CINEMATOGRAPHY	SOUND PROVIDING	DIRECTING	COSTUME DESIGN
SCOTT	TEMPORARILY, VOICING/ACTING 'VILLAIN 1'	YES		YES
MASON	TEMPORARILY, VOICING/ACTING 'VILLAIN 2'	YES	YES		YES
HARRY	TEMPORARILY, VOICING 'EM'		YES
YUXIN	ALL TIMES, REMAINS ON SET THROUGHOUT			YES	YES

THIS CALL CHEET WILL BE USED TO DIRECT/ ORGANISE EACH INDIVIDUAL ON SET DURING THE FILMING OF OUR MAIN TASK

WRITTEN/UPLOADED BY SCOTT COLLER

MAIN TASK- MUSIC - HARRY YOUNG

Music

Throughout our production, we will be using sounds and music to create an atmosphere we want. To stick true to the James Bond theme, we will use their soundtrack and we may conduct our own using instruments of our choice. We will also be using Beethoven to introduce the villains as I feel it would suit perfectly and certain songs will make them seem sinister and create a tense atmosphere. An instrumental by Highway Blues will be used in our second production/distribution logo as we used it in our preliminary task and we decided as a group that we would use it again as we felt it would be suitable for the logo. I will make sure that when editing, the soundtrack will match up with the actions that occur, meaning that loud notes occur when something important happens or so that it goes along with the actors movement.

Written\Published by Harry Young

MAIN TASK- PITCH FEEDBACK



MAIN TASK - RISK ASSESSMENT - HARRY YOUNG

Risk Assessment - Main Task 

- When filming outside, we will have to make sure the weather is clear so that equipment isn't damaged and that injuries acquired from scenery do not occur. 

- We will also make sure that if we film near a road that the threat from cars is neutralized by checking the roads when we film.

- We will make sure that conflict with other humans doesn't occur for our personal safety. 

- We will make sure the hazard of wires protruding  from the camera will be covered by some sort of sheet in the possible case of someone tripping. 

- We will make sure that no members of the crew will smoke on set in the case of FIRE. We shall make sure that all ciggeys are put out and all burns are consumed fully (to the filter).

- To prevent hazards when using a tripod, we will make sure it is placed on even ground to prevent toppling and breakage. We will also make sure they're packed away properly so nobody trips.

- Due to us using a TOY gun, we will make sure it isn't loaded with any sort of ammunition (e.g BBs, Hollow points, Potatoes) for the obvious reason being to avoid injury of the crew and general public.

- We will make sure that if we are filming in an old location  (e.g warehouse, factory) we will scan the area for structural weakness so that we aren't crushed by ceilings or we don't fall through floors.

Written\Published by Harry Young

MAIN TASK- SCRIPT - SCOTT COLLER AND HARRY YOUNG

THIS SCRIPT WILL BE USED DURING THE FILMING PROCESS OF OUR MAIN TASK TO ORGANISE EACH ACTOR.

0:00-0:20= MUSIC BEGINS QUIETLY, SHADES OF LIGHT PASS OVER UNFOCUSED LENS, PRODUCTION COMPANY TITLE

0:20-0:30= CLOSE UP ON WALKING FEET, FANG BECOMES SLOWLY FOCUSED, CLOSE UP OF FEET WALKING ON GRAVEL, MUSIC REMAINS SOFT

0:30-0.40= CHANGE OF ANGLE OF FONGS PHYSIQUE, CAMERA FOCUSED ON A SILHOUTTE OF FONGS BODY- TITLES APPEAR IN BOLD, WHITE LETTERING

0:30-1:00 "RIGHT FONG, THE TARGETS HAVE INFILTRATED THE COMPOUND. THE INFOMATION IN THE SAFE IS VITAL. GET IT BACK AND STOP THEM OR YOU CAN FORGET YOUR VACATION THIS YEAR"

0:40-0:55= FIRST SHOT OF VILLAIN 1 & 2, DARK ROOM, SPOTLIGHT ABOVE, OPEN BRIEFCASE ON TABLE, CONTENTS REMAIN UNSEEN

0.55-1:15= FONG APPEARS AT GATE, CAMERA PANS UP HIS BODY, SLOWLY, MUSIC INTENSIFIES

1:15-1:35= FONGS BRIEFING- "FONG- NO TIME TO BEAT AROUND THE BUSH ON THIS ONE LOVELY- IN AND OUT YOU HEAR ME- IN AND OUT"

1:35-1:40- "FONG RECIEVED- FONG OUT"

1:40-1:45= MUSIC BEGINS (FASTER IN TEMPO)

1:45-1:50= FONG MOVING SWIFTLY THROUGH SCHOOL, STOPPING AT EACH CORNER- CHECKING FOR ENEMIES

1:50-1-52= FONG KICKS THOUGH DOOR OF VILLAINS HIDE OUT

1:52-1:54= REMOVES GLASSES, MUSIC CLIMAXES

1:54- 1:57= APPEARS IN GUN BARRELL, GUN SOUNDS, BLOODY EFFECT STUTTERING OVER A SERIES OF BARRELL SHOTS

1:57-2:00- FILM TITLE APPEARS IN BOLD, WHITE LETTERING BESIDE FONG STANDING IN GUN BARRELL

WRITTEN/UPLOADED BY SCOTT COLLER & HARRY YOUNG